High-quality supplier of content for photo stocks
Katsiaryna Hurava
Adobe Stock portfolio, Kasia2003: more than 32,000 works.
Studio product photography and Photoshop finishing for agencies, brands, and photo stocks.
About the author
Photographer and certified retoucher
Katsiaryna Hurava is a high-quality supplier of content for photo stocks. On Adobe Stock she publishes as Kasia2003. That portfolio, creator 204954429, holds more than 32,000 works. The public catalog shows studio food and ingredients, isolated product cutouts, paper craft for holidays and patriotic sets, seasonal scenes, fabric, and close studies such as hands.
She is a successful photographer and a certified retoucher. She has worked in Photoshop for more than 16 years and knows the program in depth.
In her studio she takes product photography of any complexity on a Fujifilm GFX 100S II and a Canon EOS R5 Mark II. She also retouches and finishes material supplied by the client, at any level of complexity.
Stock exchanges and art directors
For stock agencies and buyers
The full catalog is the Adobe Stock portfolio above: more than 32,000 works. This page shows a short studio selection. Isolated stock files are prepared with a clipping path. New work can be a studio shoot or a retouch of files you already have.
- More than 32,000 works on Adobe Stock
- Product shoots on Fujifilm GFX 100S II and Canon EOS R5 Mark II
- Certified retoucher, Photoshop for more than 16 years
- Retouch and finishing of client-supplied files
- Real studio photography, not generative AI
- Isolated files prepared with a clipping path
Chapter 01 · From the studio table
Food Isolates
Studio food cutouts with a clean clipping path — ingredients and plated details ready for menus, packaging, and recipe layouts.
Chapter 02 · Market freshness
Seafood
From the kitchen into coastal summer: whole fish, salmon steaks, and seaside still life for restaurant and travel campaigns.
Chapter 03 · Cold, cream, pour
Dairy and Ice Cream
Scoops, milk splashes, and coffee foam — dairy photographed as a design object, not a lifestyle snapshot.
Chapter 04 · Warm metal, toasted bread
Bakery and Vintage Kitchen
Ivory kettles, brass toasters, and flying toast: classic kitchen props with the same isolate discipline as the food.
Chapter 05 · Spring at the table
Easter
The year turns to spring. Hand-painted eggs, bunny ears, and brunch settings in pastel ivory and rose.
Chapter 06 · Ritual bread, quiet light
Passover
Matzah, wine, and walnuts arranged as celebration still life — ceremonial, precise, and fully released for editorial use.
Chapter 07 · Evergreen and glitter
Christmas
Winter arrives in ornaments, fir, and Santa’s glove. Seasonal cutouts for greeting cards, retail, and holiday campaigns.
Chapter 08 · Satin, kraft, and bow
Gifts and Ribbons
From the tree to the parcel: gift boxes, silk ribbon, and bows isolated for packaging, invitations, and sale layouts.
Chapter 09 · Nation as graphic
Patriotic and Flags
Flags, stars, and patriotic mockups with copy space — built for civic holidays, elections, and national campaigns.
Chapter 10 · Maple, harvest, gold
Autumn Leaves
The palette cools to rust and gold. Maple borders, pumpkins, and mid-autumn pastry for harvest storytelling.
Chapter 11 · Stem, petal, frame
Florals
Daffodils, clover, calendula, and blossom frames — botanical isolates that sit cleanly on any ground.
Chapter 12 · Pigment and edge
Watercolor and Paper
Brush, blot, and torn kraft. Painted textures and paper shapes as editorial backgrounds and design elements.
Chapter 13 · Blank screens, real hands
Hands and Device Mockups
Laptops, phones, and hands in studio light — mockups with alpha, ready for app, fintech, and editorial overlays.
Chapter 14 · Care, close and honest
Wellness and Beauty
Pedicure, spa gesture, and before-and-after foot care — beauty still life photographed for clinics and campaigns.
Chapter 15 · Objects that carry an idea
Concepts and Stationery
Sticky notes, lanterns, tape, and symbols. Conceptual isolates for advertising when the story needs a single object.
100 works in the portfolio.
Correspondence
Commission, licensing, or a stock partnership
Write with the brief, the agency, or the license you need. This form reaches the studio directly. Please do not send original files here — licensing is arranged after the conversation.